Showing posts with label Lunar Caustic. Show all posts
Showing posts with label Lunar Caustic. Show all posts

Friday, 15 February 2013

Indian Ocean

The Indian Ocean is the third largest of the world's oceanic divisions, covering approximately 20% of the water on the Earth's surface. It is bounded by Asia—including India, after which the ocean is named on the north, on the west by Africa, on the east by Australia, and on the south by the Southern Ocean (or, depending on definition, by Antarctica.). Read more on Wikipedia

The Indian Ocean probably featured in his imagination before he crossed the ocean twice in 1927 on his Far East voyage aboard the Blue Funnel ship Pyrrhus. Lowry had already created or heard the myth of his grandfather being lost in the Indian Ocean:

Evelyn Boden Lowry (1873–1950) ... She was the daughter of a master mariner, Lyon Boden, lost at sea in circumstances that were variously described and embellished , by both Evelyn and her son, in the telling. As Lowry told the story to Margerie (who, again, seems to have taken it as gospel)Captain Boden and his command, The Scottish Isles, were becalmed in the Indian Ocean, the crew dying of cholera;  so the Captain gave orders to a nearby British gunboat to blow up the ship, with him on board. Bradbrook debunks this by saying that Captain Boden had died of cholera, the news relayed to a passing vessel before before The Scottish Isles vanished and was lost in a storm with all hands. Bowker found that the ship that John [sic] Boden disappeared on 26 April 1884, somewhere in the Indian Ocean, was the Vice Reine, of which Boden was not captain but first. Chris Ackerley Paradise Street blues: Lowry's Liverpool in Writing Liverpool: Essays and Interviews By Michael Murphy, Deryn Rees-Jones 2007

Lowry makes reference to the myth of his grandfather's loss in Ultramarine Pgs 110-11; and in letters to Derek Pethwick dated 6th March 1950 (Collected Letters Vol 2 Pg. 207) and to George Sumner Albee dated 17th March 1957 in which he again refers to his grandfather being "at the bottom of the Indian Ocean." (Collected Letters Vol 2 Pg. 896); in the short story 'The Forest Path to the Spring'; "And I thought of my grandfather, becalmed in the Indian Ocean, the crew dying of cholera,my grandfather giving orders finally, at the beginning of wireless, to the oncoming gunboat, to be blown up himself with the ship." (Pg.258); in his incomplete novel La Morida the West Coast"Could their captain love these diesel-engined monstrosities to the extent, like his grandfather, of going down with them?" (Pg 188)

The ocean would have featured in many of the books and magazines read by Lowry about the sea including Joseph Conrad's novels and short stories, Bill Adams's works; James Johnston Abraham's The Surgeon's Log , Eugene O'Neill etc. It is interesting to note that the father of the character Swede Chris C. Christopherson in Eugene O'Neill's play Anna Christie died in the Indian Ocean. Lowry received a copy of the play as a prize at his school The Leys. (Collected Letters Vol. 1 Pg. 26).

Lowry makes other references to the ocean other than alluding to the death of his grandfather; in a letter to Betty and Gerald Noxon dated January 15th 1943; "I wish you could both be here for we seem to see potential pictures for Betty everywhere and moreover we are putting on some magnificent freezing blue weatherwith the sun raining diamonds in Burrard Inlet and sea-gulls and the washing frozen on the line and a two hundred foot alder plunging above the house like the mast of a ship on a rough day in the Indian Ocean. (The Letters of Malcolm Lowry and Gerald Noxon: 1940-1952 Pg. 50); and the novella Lunar Caustic when Lowry's alter-ego Bill Plantagenet recalls sailing across the Indian Ocean with a cargo of animals; "The panthers died, in the Indian Ocean at night the lions roared, the elephants trumpeted and vomited so that none" (Pg. 69); and again in Under The Volcano; "A piece of driftwood on the Indian Ocean. Is India my home? Disguise myself as an untouchable, which should not be so difficult, and go to prison on the Andaman Islands for seventy-seven years, until England gives India her freedom?" (Pg. 157)  "This chow the crew hadn't eaten went into the Indian Ocean, into any ocean, rather, as the saying is, than “let it go back to the office.” (Pg. 165 )

Lowry further refers to the ocean in his incomplete novel La Morida the West Coast; " — ridiculous, unimaginative name, although it would be beautiful if encountered, say, in the Indian Ocean — or would be beautiful in French Cote Aouest — which makes him reflect about the prophet being without.. " (Pg. 188) and later; "it were eponymous, and certainly not so unimaginative as the beautiful horrible romantic old freighter he'd seen in the Indian Ocean, the British Motorist — the ship has a cargo of rolls of rusty barbed wire. Ugly ships. Possibly she'd done yeoman service in the war. Had oil-tankers got souls? Could their captain love these diesel-engined monstrosities to the extent, like his grandfather, of going down with them?" (Pg 188) and his posthumously published novel Dark as the grave wherein my friend is laid; "of hundreds of miles behind this childhood dream of heaven, and rolling valleys, the dream of the sailor sleeping on the poop in the vast violet of the Indian Ocean as it deepens at noon. (Pg. 221)

Sunday, 5 August 2012

Kowloon



An urban area in Hong Kong, comprising the Kowloon Peninsula and New Kowloon. It is bordered by the Lei Yue Mun strait in the east, Mei Foo Sun Chuen and Stonecutter's Island in the west, Tate's Cairn and Lion Rock in the north, and Victoria Harbour in the south.

Lowry visited Hong Kong on his voyage to the Far East in 1927. Lowry arrived on board Pyrrhus on July 19th 1927 and departed on the 21st.

Lowry refers to Kowloon in his novel Ultramarine "I am on a ship, I am going to Japan - or aren't I?" then he lists all the places he is due to visit including Kowloon (Ultramarine Pg. 18); "Later, in the dock, at Kowloon it was, he had been able to show that at least he was the fastest and most skilful swimmer on board the Oedipus Tyrannus" (Pg. 25); "Why,! I went a shore at Penang. And in Singapore and Kowloon and in Port Swettenham too!" (Pg. 58) and "Behind the ship the Peninsular Hotel at Kowloon loomed darkly.." (Pg.77). Later Lowry referred to Kowloon in his novella Lunar Caustic; "And in Singapore. No, Kowloon. Jesus! We shot every bastard on the way whether they were innocent or not." (Psalms Pg. 291)

Reclamation Road
Stan Hugill describes Kowloon's sailortown as follows;

....over in Kowloon, in Reclamation Road, were to be found more prostitute dwelling. Thes were nearly all tenement houses, filled with scuppers with rickshaw-pullers, professional beggars, sew-sew girls, and of course, prostitutes. The sew-sew girls and young prostitutes, often one and the same thing, hung every ship making fast in Kowloon, dodging the Sikh watchman with ease, although at times he would chase them with his lathi or bamboo stick. The sew'sews had a song which ran:


A.B.C.D Tai toi luk chi,
Lai-yan u doh, choi pi, pi!


which roughly translated means: "The Sikh policeman is no good at catching people; all he can do is blow his whistle." The girls who, in previous years, climbed up the sides of ships at anchor, and known to the old time sailortown as "Midnight Fairies", were stilla round, but now, since their fee had gone up, were called the "Dollar Princesses". ( Sailortown Pg. 326-27)



Monday, 7 May 2012

Broken Blossoms 1919



Broken Blossoms or The Yellow Man and the Girl is a 1919 silent film directed by D.W. Griffith. It was distributed by United Artists and premiered on May 13, 1919. It stars Lillian Gish, Richard Barthelmess and Donald Crisp, and tells the story of young girl, Lucy Burrows, who is abused by her alcoholic prizefighting father, Battling Burrows, and meets Cheng Huan, a kind-hearted Chinese man who falls in love with her. It is based on Thomas Burke's short story 'The Chink and the Child' from the 1916 collection Limehouse Nights.

Read more on Wikipedia


Lowry held this film in high esteem; "I see it as one of the greatest and most moving films of all time, one that is also a return to a great tradition of the movies, something that should combine the emotional impact of Griffith's Broken Blossoms and Isn't Life Wonderful." Collected Letters Vol 2 Pg. 171 ; "Signs along the street mocked at him: Business as usual during alterations: Broken Blossoms: Dead End: No cover at any time. World's loveliest girls. Larger, more modern. He waved them aside" Lunar Caustic. 


You can watch the whole film here: